Presonus StudioLive 24.4.2 Manuel d'utilisateur Page 92
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6 Capture
6.4 Recording in Capture
StudioLive
™
Software Library
Reference Manual
88
3. Session Title. This will be the title of your Session and will be the Session file name,
as well as the name of the new folder that contains all data related to your Session.
4. Session Location. This is where new Sessions and all related data will be
saved. The Session location can be chosen each time you create a Session.
By default, the new Session location will be the Capture folder in your
Documents folder. You can choose a different file location by clicking on
the Browse button and browsing to a new location. The last known save
location will appear as the default the next time you create a new Session.
6.4 Recording in Capture
To record to an audio track, the track must be record-enabled, or “armed.” Capture
provides two Record Enable buttons for each input: one on the track and on the
meter bridge.
To record-enable an audio track, click on the Record Enable button on the track or
on the meter bridge. Both buttons will turn entirely red in color when either button
is enabled, and the track’s corresponding meter in the meter bridge should begin
to move up and down if there is live audio on that channel in the StudioLive mixer.
Click on the Arm All button at the top of the Track column to record-enable every
track at once.
Once an audio track is record enabled, you are ready to record audio to that track.
To activate recording, click on the Record button in the transport. The Record button
will turn red, and the Play button will turn green in the transport; the playback cursor
will start to scroll from left to right from its current position; and new audio events
will be recorded to record-enabled tracks.
Recording will continue until you manually stop it by clicking on the Stop button in
the Transport or by pressing [Spacebar] on the keyboard.
6.4.1 Monitoring Live Inputs
You will monitor live audio input on the StudioLive mixer. There is no separate
monitoring capability within Capture. Please refer to Section 4.4.4 in the
StudioLive Owner’s Manual for information on creating monitor mixers.
6.4.2 Setting Input Levels
Setting the proper input levels is critical to making a good live mix and a good
recording. The basic idea is to set the input gain on the StudioLive mixer as
high as possible without overloading the input. Overloading the input will
cause clipping (digital distortion), which is particularly unpleasant and will
ruin the recording. This damage cannot be undone in software. There is a
clip indicator for each input on the StudioLive mixer for this purpose.
If an input channel is not clipping on your StudioLive mixer, you can
be sure that it will not clip in Capture. Refer to Section 2.1 in your
StudioLive Owner’s Manual for the proper level setting procedure.
- StudioLive 1
- Software Library 1
- Reference Manual 1
- Table of Contents 2
- 5 QMix for iPhone 3
- and iPod touch — 74 3
- 6 Capture — 80 3
- 8 Troubleshooting — 141 4
- 1 Overview 5
- 2 Connecting to a Computer 10
- 2.5.1 Channel FireWire Sends 13
- 2.5.3 FireWire Returns 14
- 2.5.4 Main FireWire Return 15
- 3 Universal Control and VSL 22
- 3.2 VSL: Browser 27
- 3.3 VSL: Overview Tab 29
- 3.3.2 Tap Tempo 30
- 3.3.3 Copying Mixes 30
- 3.4 VSL: Fat Channel Tab 31
- 3.5.1 Loading a Scene 32
- 3.5.4 Loading an FX Preset 33
- 3.5.5 Loading a GEQ Preset 34
- 3.6 VSL: GEQ Tab 34
- 3.6.2 Enabling a GEQ 35
- 3.6.3 Flattening a GEQ Curve 35
- 3.6.6 RTA 36
- 21 3 4 5 39
- 3.7 VSL: Setup Tab 41
- 3.7.5 Scene Recall Filters 42
- 3.7.8 Talkback Assignments 43
- Enabling Lockout Mode 44
- 3.8.4 Go Remote 56
- 3.8.5 Mic Position 57
- 3.8.6 System Alignment Rules 59
- 2 to 4 kHz 62
- Music Concert 63
- Trend (no sub) 63
- 4 StudioLive Remote for iPad 64
- 4.2 Overview Page 68
- 4.2.1 Bus Assignments Query 68
- 4.2.3 Channel Controls 69
- 4.3 Aux Mix Page 70
- 4.3.3 FX Edit 72
- 4.4 GEQ Page 73
- 4.5 Scenes Page 74
- 4.6 Settings Page 75
- 4.7 Channel Zoom Page 77
- 5.2 Aux Mix Page 81
- 5.3 Wheel of Me 82
- 5.4 Settings Page 83
- 6.2 The Session Page 85
- 6.2.1 Transport 86
- 6.2.2 Meter Bridge 87
- 6.2.3 Editing Tools 88
- 6.2.3.1 Arrow Tool 88
- 6.2.3.2 Range Tool 89
- 6.2.3.3 Split Tool 89
- 6.2.3.4 Eraser Tool 90
- 6.2.4 The Edit Window 90
- 6.2.4.1 Naming Tracks 91
- 6.4 Recording in Capture 92
- 6.4.1 Monitoring Live Inputs 92
- 6.4.2 Setting Input Levels 92
- 6.5.1 Scrolling 93
- 6.5.2 Timeline Zooming 93
- 6.5.3 Using Markers 94
- 6.5.3.1 Inserting Markers 94
- 6.5.3.2 Navigating Markers 94
- 6.5.3.3 Looping 94
- 6.6 Mixing Your Session 95
- 6.7 Importing Audio Files 98
- 6.7.1 Preview Player 99
- 6 Capture 100
- 6.8 Export Audio Files 100
- 6.9 Capture Key Commands 101
- 100 - 240 VAC 50-60Hz 115
- 7.2 Configuring MIDI Devices 116
- 7.3 Creating a New Song 120
- 7.4 Creating Audio Tracks 124
- 7.5 Creating MIDI Tracks 125
- 7.6.2 Drag-and-Drop Effects 140
- Reference Monitors 143
- 8 Troubleshooting 145
- 8.2 Universal Control: VSL 146
- 8.3 StudioLive Remote 146
- 8.4 QMix 146
- Redfish Couvillion 149
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